• 304pp'Dark, compelling, beautifully written' Andrew Michael HurleyIn this eerie, atmospheric and mysterious tale, a woman returns to the house in Morecambe Bay where she grew up in the 1960s to find it falling apart, undermined by the roots of two huge sycamores. She is unaware that she has awoken the spirits of her parents, Jack and Nettie Clifford, who watch anxiously as their daughter Annette is overwhelmed by the state of the house and realise too late how far they neglected her as a child.As their memories come alive, the story unfolds of a crucial summer when Annette was 8 and Nettie became too ill to run their boarding house. The lodgers have to go - all except the newly arrived butcher's apprentice, because he seems to have miraculous healing powers and is Jack and Nettie's last, desperate hope.'A disturbing, precisely rendered tale of charisma, misplaced faith and transgenerational trauma, with a touch of the supernatural . . . [it] brings to mind the claustrophobic, suburban world of Dennis Potter's great play Brimstone and Treacle' Alex Clark, Spectator"This marvellous novel is both haunted and haunting, as Ashworth expertly blurs the boundaries between the past and the present, the homely and the uncanny, the quick and the dead. Touching on profound questions of myth, mortality and redemption, it is both sinister and beautiful - and ultimately tender' Sarah Perry, author of The Essex Serpent
  • 304pp'Unnerving, absorbing . . . Laurie is a miraculous creation . . . Piercingly human and darkly funny' Sunday TimesOne ordinary morning, Laurie's husband disappears, leaving behind his phone and wallet. For weeks she tells no one, carrying on her cleaning job at the university, visiting her tricky, dementia-suffering father and holing up in her high-rise flat with a bottle to hand. When she finally reports him as missing, the police are suspicious. What took her so long?Laurie can't fully explain her behaviour even to herself, or the strange presence she senses in the flat. Only when she looks back on the ensuing wreckage does she begin to understand, and see how she might repair the damage.
  • 304ppWINNER OF 2024 LAKELAND BOOK OF THE YEAR LONGLISTED FOR THE 2024 WAINWRIGHT PRIZE FOR NATURE WRITING'It raises the standard of nature writing. This is both radical manifesto and activism in book form' Sally Huband, author of Sea Bean'Long before I knew I was sick, I knew I was breakable . . .'After years of unexplained health problems, Polly Atkin's understanding of her body had become fluid and disjointed. When she was finally diagnosed with two chronic conditions in her thirties, she began to piece together her own history: the fractures and dislocations, the exhaustion and medical disregard.A searing blend of memoir, nature writing and pathography, Some of Us Just Fall traces a remarkable journey through illness. From misdiagnoses to wild swimming in the Lake District, Polly examines her genetic inheritance, her place in the natural world and her future in her body.'Polly Atkin, who had long suffered ill health, was diagnosed with two chronic conditions in her thirties. Some of Us Just Fall is her timely, lyrical and insightful exploration of the stories we tell about our bodies and how they influence our lives and sense of belonging. It made me yearn to revisit the Lake District and Grasmere, where Atkin lives, because her descriptions of her daily walks and swims were so beautiful. Perfect for fans of Sinéad Gleeson, Amy Liptrot and Olivia Laing' Jack Clark, The Times
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