Eoghan Walls – Pigeon Songs
£9.99
Out of stock
72pp
Pigeon Songs is Derry-born Eoghan Walls’ second collection of poems from Seren after his much-praised debut, The Salt Harvest. From the first piece, ‘Angry Birds’ we have a sense of the poet’s themes and preoccupations: we have a richly metaphorical and densely allusive style, a pull towards formal metre and structures. There is also the occasional vigorous vulgarity, adding a touch of blue humour to the canvas, breaking up the formal rigour.
‘The subject matter of Pigeon Songs likewise ranges from touching and gentle poems about the poet’s children to far more brutalist pieces on sex and death, a range matched by a characteristic shifting of perspectives from up-close details to observations on a more cosmic scale’ Martyn Crucifix
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Description
SHORTLISTED FOR THE PIGOTT POETRY PRIZE 2020
Pigeon Songs is Derry-born Eoghan Walls’ second collection of poems from Seren after his much-praised debut, The Salt Harvest. From the first piece, ‘Angry Birds’ we have a sense of the poet’s themes and preoccupations: we have a richly metaphorical and densely allusive style, a pull towards formal metre and structures. There is also the occasional vigorous vulgarity, adding a touch of blue humour to the canvas, breaking up the formal rigour.
Family is a potent presence in poems inspired by parents, grandparents, partners, children. They often emit a sort of energy, a fierce gravitational pull of emotion around the burning heart of a poem ultimately about love, or the sorrow of losing a loved-one. There is frequently a strangeness that can be both comic, as in the ‘The Tooth Burier’, inspired by a child’s reaction to a lost tooth, and eerie as in ‘The Weight of Her’ where the child whispers that ‘she wishes to be dead’. Parenthood weighs large as alternately joyful, terrifying and essential to everyday existence. Also here is a richly imagined and mourned-for natural world as in ‘Ice Bear Dreams’; ‘The Sins of the Otter’; ‘The Beast of the Galapagos’; as well as animals in hybrid, mythological attitudes: ‘The Frog Prince’; ‘When All the Men Turned into Geese’ and the ever-present Pigeons who recur throughout the book as totems for various states of inquisition, rumination, urban living and means of temporary liberation from the mundane.
‘The subject matter of Pigeon Songs likewise ranges from touching and gentle poems about the poet’s children to far more brutalist pieces on sex and death, a range matched by a characteristic shifting of perspectives from up-close details to observations on a more cosmic scale’ Martyn Crucifix
About the Author
Eoghan Walls was born in Derry in Northern Ireland. He attended Atlantic College on the coast of South Wales and has lived and taught in Germany, Rwanda and presently, England. He won an Eric Gregory Award in 2006, an Irish Art’s Council Bursary in 2009, and his work has been published widely in journals and anthologies throughout the UK and Ireland. His first collection of poems, The Salt Harvest, was published by Seren in 2011 and was shortlisted for the Strong Award for Best First Collection. His novel, The Gospel of Orla (Seven Stories) was published in 2023. He teaches creative writing at Lancaster University, and lives with his wife and two daughters in a village near the sea.